Masthead Photography

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Mailing Address: 960 W 31st Street Chicago Il 60608 USA Ph: 773 837 0145 Facebook Profile ADVERTISERS - contact Ed Marszewski for rates.

STOCKISTS

Looking for Proximity? We suggest you by it online at Quimby's [ Find it Here ] or visit one of the locations or on-line stores listed below. Attn: Stockists! Proximity is distributed internationally through Ubiquity and Motto Distribution. If your store would like to carry Proximity please email Ed Marszewski or look for it in forthcoming catalogs by Ubiquity. Where you can purchase Proximity magazine. CHICAGO MCA Chicago Bookstore Quimby's Golden Age Penelope's 57th Street Books Una Mae's City Newsstand Reckless Records Chicago Comics Intuit Myopic Books The Silver Room Postfamily Co-Prosperity Sphere Three Walls Rockford Art Museum No Coast Uprise Bridgeport Coffee House Genesis Art Supply Chicago Main Newsstand (Evanston) Book Corner (Bloomington) Rockford Art Musuem (Rockford) NEW YORK Eyebeam (NYC) Blue Stockings (NYC) Bedford Exotics (Brooklyn) P.S. Bookshop (Brooklyn) Talking Leaves Books #1 (Buffalo) B & B News (NYC) BJ Magazines #1 (NYC) BJ Magazines #3 (NYC) Global News (NYC) Ink On A (NYC) Magazine Cafe (NYC) MCnally Jackson Books (NYC) Nicky SMoke & Magazine (NYC) St Marks Bookshop (NYC) Union Square Magazine Shop (NYC) Universal News 106 E 23 St (NYC) Universal News 11 W 14 St (NYC) Universal News 213 7 Ave (NYC) Universal News 234 W 42nd St (NYC) Universal News 50 W 23 St (NYC) Universal News 977 8 Ave (NYC) World Wide News (Rochester) ARIZONA Crescent Tobacco Shop (Tuscon) CALIFORNIA Daily Planet Books (Hollywood) Issues Shop (Oakland) Paras News (San Diego) COLORADO Magpies Newsstand Cafe (Durango) MASSACHUSETTES Newssbreak - Middletown (New Bedford) Red Lion SMoke Shop (Salem) Newsbreak Swansea (Swansea) MARYLAND Atomic Books (Baltimore) NORTH CAROLINA Downtown Books and News (Asheville) Regulator Bookshop (Durham) NEW MEXICO Flying Star Cafe (Alburquerque) Newsland (Alburquerque) OHIO Little Professor Books (Athens) Cincinnati Fountain Square News Bank News (Cleveland) PENNSYLVANIA Avril 50 (Philly) Chester County Book Co. (West Chester) TEXAS Art Car Museum Domy Books (Houston) Domy Books (Austin) WASHINGTON Elliot Bay Book Company (Seattle) WISCONSIN Greenfield News and HObby (Greenfield) University Book Store (Madison) EUROPE: BARCELONA La Central MACBA La Central del Raval MADRID La Central MNCARS AMSTERDAM Athenaeum Boekhandl ROTTERDAM Boijmans Van Beuningen De Player Bookcase NIJMEGEN (NL) Extrapool PARIS Section 7 HELSINKI Napa Books BERLIN Motto Switzerland Motto

DONATE/SUPPORT

Proximity magazine is published by Public Media Institute (PMI) a non-profit 501(c)(3). Our survival depends on your support. All donations are tax deductible.  Please download our 2009 Annual Report for a quick look at what we do as PMI. Besides advertising revenue our publishing efforts depend upon receiving grants and donations from wonderful people like you. Any amount that is donated to PMI goes directly towards our efforts in promoting artist run culture via our publications, programs, advocacy campaigns and events. You can visit our paypal page to make a tax deductible donation in any amount.
Support Circles We print our donors and benefactors in the publication and on this page. Updated 12/2009 Guardian: $10000 and up Dean Alan Olson Foundation Anonymous Lover: $2500 to $9999 Reuben Kincaid AAA Design Trendbeheer Friend: $500 to $2499 Maria Marszewski Buddy: $100 to $499 The JNL Design Diamond Jack Cholo: up to $99 Questions about donating: Please contact Ed Marszewski

PRESS

Interview on Bad At Sports http://badatsports.com/2008/episode-145-proximity-magazine-spudnik-press/ Is Greater than Interview http://isgreaterthan.net/?p=8451 Proximity Magazine Release Party http://artslant.com/global/articles/show/3658 Recent Awards: Proximity: - AIGA 365 Design Annual 2009 (Issue 2) - Print Regional Design Annual 2009 (Issue 1, 3) - Communication Arts Design Annual 50 Matériel: - Print Regional Design Annual 2009 - Communication Arts Design Annual 50 Writers Guidelines: We prefer proposals to completed articles. For features, the proposal should be 125-250 words; for columns and reviews, 50 words is plenty. Tell us what and who you want to discuss, and what you plan to say. Please include two brief writing samples (1,000-2,000 words), together with a short bio (40 words) describing your background and interests. We evaluate proposals based on quality, appropriateness and available space, and strive to notify writers of a decision within a week. Proposals may be submitted by email to ed@proximitymagazine(dot)com. We will not consider queries not accompanied by writing samples. It may take 2-6 weeks to receive a response. If we accept your proposal, we will negotiate a mutually acceptable length, deadline and compensation. To date we are unable to pay our writers. We reserve the right to terminate our acceptance of your proposal if we discover you have misrepresented yourself, or if the final form of the article diverges markedly from the agreed-upon topic, format or deadline. TYPES OF ARTICLES Features or Interviews range from 1200 to 3500 words, and express fully developed viewpoints about a particular subject. We expect our writers to develop and support their theses rigorously, and to have a sophisticated understanding of any philosophies, histories or theoretical concepts they invoke. Reviews cover solo and group shows of regional, national or international significance. We are especially interested in regionally significant artists who have not yet reached a regional, national or international audience. Reviews are 200-400 words when covering the work of a single artist and 250-500 words when discussing the work of more than one artist. Please read an issue of the magazine (located on this website) to see if your work fits within the parameter and interests of the publication. CONFLICT OF INTEREST a) The editors will not consider submissions in which a writer: writes about the work, project or gallery of someone with whom the writer has a financial relationship, any gallery that represents his/her work, any relative, any work, project or gallery institutionally related to the organization employing the writer or a colleague in the institution employing the writer. b) The editors will not consider submissions by a writer whom the gallery, collective or artist has paid or commissioned to write the article in question. Suggestions from groups are permitted but the editors make the final decision. c) The editors will not consider a submission by a writer who collects the work of the artist in question. d) The editors shall decide whether to cover exhibitions curated by, featuring or including the work of any writer for Proximity.

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